a blessing of Obatala per Bolaji E. Idowu
Olodumare: God in Yoruba Belief
(1962, London)
Obatala ~ A brief exegesis
An alter to Oxala/Obatala | Praise Song
Santeria exegesis from OrishaNet
Arthur Hall's 'Obatala' Highlights His Dance ...
Obatala & the Philadelphia Orchestra
Arthur Hall's Obatala |
An artistic salute to Arthur Hall and his influence
Collection Recordings |
Program notes
Obatala in Philadelphia Maine
Oba Koso |
Oba Koso and the end of Ile Ife
Obatala & Shango |
Obatala & Olokun
African American Symbol for Obatala
A saint among saints and the archetypal spirit of creativity, Obatala has been carried to many cultures of the New World, where for centuries he has been honored as the patron of children, childbirth, albinos, and anyone with a birthmark. In the New World as in the Old it is said, "Obatala marks his children."In Yoruba Oba means "king" and tala [ala] is undyed fabric, the blank canvas, which is why the King of the White Cloth is said to be a tranquil judge. Obatala is honored with brilliant white cloth, white lace, white beads and cowries, white flowers, silver coins, and silver jewelry. He is honored with white hens, snails, white melon soup, pounded yams, and other white food such as eko, fermented corn wrapped in plantain leaves. His priests and priestesses wear only white, although his warrior avatars Ajaguna & Obamoro add a dash of blood red. Ochosi, the Orisha of the hunt is Obatala's scout and surveyor and guards an inner court of the alter of Obatala in the ancient city of Ile Ife,
The gentle Obatala is associated with honesty, purpose, purity, peace, the New Year, forgiveness, and resurrection, which is why some authorities associate him with Christ and the Egyptian Osiris. As the divinity of created form, "the old man" is the patron saint of artists, called the Divine Sculptor. He is also called Alamo Re Re, the One Who Turns Blood Into Children. He is Alabalashe, the Wielder of the Scepter of Life, and he is O Ho Ho, the Father of Laughter, "Who sits in the sky like a swarm of bees."
A Praise Song of Obatala
Obatala, strong king of Ejigbo
He wakes up to create two hundred civilizing customs,
At the trial a silent, tranquil judge.
The king whose every day becomes a feast.
Owner of the brilliant white cloth.
Owner of the chain to the court of heaven.
He stands behind people who tell the truth.
Protector of the handicapped.
Oshagiyan, warrior with a handsome beard.
Who holds the staff called opasoro,
King of Ifon.
Oshanla grant me white cloth of my own.
He makes things white.
Tall as a granary, tall as a hill.
Ajaguna, deliver me.
The king that leans on a white metal staff.
collected by Verger
Notes sur le culte des Orisha
as rendered by
Thompson (See also Oxala)
Footnotes
Oshala ~ reference from a poem of the Ogbehunle Odu, "The Consequences of Overzealousness in Prayer, Or How the Eye Got Its Pupil," recited by Alawonifa Animashaun Oyedele Ishola of Oyo for Wande Abimbola,
Sixteen Great Poems of Ifa (1975, UNESCO, Paris), p.362-387 and p.460.
Drawing of Obatala at right by Alan Crichton 1995
Oko ~ Robert Farris Thompson,
Face of the Gods: Art and Alters of Africa and the African Americas (1993, The Museum for African Art, NY),
p.161
eko ~ Thompson, ibid, p.154
Ajaguna and Obamoro ~ ibid, p.165
Ochos ~ ibid, p.187
Alter of Obatala ~ ibid, p.263
Praise song of Obatala Verger per Thompson ~ ibid, p.262
from the OrishaNet -
http://www.seanet.com/~efunmoyiwa/ochanet.html
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