Rowland Abiodun, Understanding Yoruba Art and Aesthetics: The Concept of Ase
(1994, African Arts, Vol XXVII, No 3, UCLA)

Peter Adler and Nicholas Barnard, Asafo!: African Flags of the Fante
(1992, Thames and Hudson, London, NY)

Instiute of African Studies, University of Ife, Nigeria, Shango: an exhibition of photographs under the auspices of the Afro-American Dance Ensemble, Ile Ife Philadelphia (monograph)

Africa in the Arts of Philadelphia: Bullock, Searles, and Twins Seven-Seven
Print copy from online original by Ile Ife Films (2022)
Copies at Temple University Libraries

Maya Angelou, Kofi and his Magic, photographs by Margaret Courtney-Clarke
(1996, Potter, NY).

Art Institute of Chicago, Yoruba: Nine Centuries of African Art and Thought
(Teacher prep material)

Nana Akomfohene Korantema Ayeboafo, Celebrating the Life of Nana Akomfohene Akua Oparebea
(2006, StarSpirit Press, Philadelphia)
Tigare Speaks: Lessons for Living in Harmony
(2005, StarSpirit Press, Philadelphia)

William Bascom, Ifa Divination: Communication between Gods and Men in West Africa
(1969, Indiana University)

Ulli Beier, Ibo Culture: an exhibition of photographs (monograph)

Julie A. Canniff, Arthur Hall, Priest of Obatala (1993, monograph)
Transcript: Interview with Arthur Hall (November 27, 1993)

John Miller Chernoff, African Rhythm and African Sensibility
(1979, University of Chicago)

Dance Films Association, Dance Film & Video Guide (1991, Princeton Book, NJ)

Maya Deren, Divine Horsemen: The Living Gods of Haiti
(1953, Thames & Hudson, NY) (Documentext reprint, McPherson & Co., NY) see also videotape in collection

Yaya Diallo & Mitchell Hall, The Healing Drum: African Wisdom Teachings
(1989, Destiny Books, Vermont)

Melanye White Dixon, Marion D. Cuyjet and Her Judimar School of Dance: Training Ballerinas in Black Philadelphia, 1948-1971
(2011, Edwin Mellon Press) see also Marion Cuyjet

Margaret Thompson Drewal, Yoruba Ritual: Performers, Play, Agency
(1992, Indiana University)
with Henry John Drewal, Gelede: Art and Female Power among the Yoruba
(1983, Indiana)

Carol Elkins, "I Wish Everybody Danced" ~ Arthur Hall: Perspective on his work (1982, monograph)

Lynne Fauley Emery, Black Dance: From 1619 to Today
(1988 [2nd ed.], Princeton Book, NJ)
Foreword by Katherine Dunham
Chapter 9, Concert Dance: 1950 ~ Today by Brenda Dixon [Stowell] Gottschild

Ekpo Eyo & Frank Willett, Treasures of Ancient Nigeria
(1980, Detroit Institute of Arts, Knopf, NY)

Tom Feelings, The Middle Passage (1995, Dial Books, NY)

H. Perkins Foss IV, Nigerian Splendor
[intoduction to exhibition, 12 April ~ 18 May, 1980, Hopkins Center, Hanover NH]

Phyllis Galembo, Divine Inspiration: Benin to Bahia with essays by Robert Farris Thompson et al
(1993, University of New Mexico Press, Albuquerque)

Henry Glassie, Prince Twins Seven-Seven: His art, his life in Nigeria, his exile in America
(2010, Indiana University Press, Bloomington)

Brenda Dixon Gottschild, Joan Myers Brown and the Audacious Hope of the Black Ballerina
Foreword by Robert Farris Thompson
Afterword by Ananya Chatterjea
(2012, Palgrave Macmillan)

Carlos Guzman, El Secreto de la Santeria: La Enciclopedia Yoruba Lucumi
(1984, Latin Press, NY)

Arthur Hall, Funding proposal: Ile Ife Museum (monograph, c. 1978)
with Bruce Williams, The Yoruba Cycle: African Influence in the New World
(1980, Ile Ife Film)

Raymond C. Hartung, Case Study: the Ile Ife Black Humanitarian Center
[monograph, p.10-15 only]

Laennec Hubon, Voodoo: Search for the Spirit (1995, Abrams, NY)

Carl Jung, The Spirit in Man, Art, and Literature (1966, Princeton University Press, Bollingen)
Aspects of the Masculine (1989, Bollingen)

Douglas M. Knight Jr., Balasaraswati: Her Art and Life
(2010, Wesleyan University Press)

Jessica Ellen Lautin, The Elite and the Street: Black Class and Culture in Post-World War Two Philadelphia
(2012, UMI Dissertation Services)

Library of Congress, Film Preservation 1993: A study of the Current State of American Film Preservation
(Vol 1, Report of the Librarian of Congress, June 1993)
Redefining Film Preservation: A National Plan (Recommendations of the Librarian of Congress in consultation with the National Film Preservation Board, August 1994)

John Mason, Four New World Yoruba Rituals (1986, Yoruba Theological Archministry, NY)

Ayodele Ngozi, To Bring Grandeur Back to Blackness: Arthur Hall's Afro-American Dance Ensemble in the historical continuum of African dance performance in the United States (1997, Graduate School Thesis, Cornell University, NY)

Funmilola Olorunnisola & Ademola Akinbami, The Royal Eagle of the Yoruba
(1992, Ibadan, Nigeria)

John Pemberton III, Sacred Kingship and the Violent God: The Worship of Ogun Among the Yoruba (Berkshire Review, Vol. 14, 1979, Williams College)

Richard S. Roberts, A True Likeness: The Black South of Richard Samuel Roberts, 1920~1936 [photographs, text by Thomas L. Johnson & Phillip C. Dunn] (1986, Bruccoli Clark, SC & Algonquin Books, NC)

Malidoma Patrice Some, Ritual: Power, Healing and Community (1993, Swan/Raven, Portland, Oregon)
Of Water and the Spirit: Ritual, Magic, and Initiation in the Life of an African Shaman
(1994, G.P. Putnam, Penguin, NY)

Robert Farris Thompson, Flash of the Spirit: African and Afro-American Art and Philosophy
(1983, Random House, NY)
Face of the Gods: Art and Alters of Africa and the African Americas
(1993, Museum for African Art, NY)

Barbara C. Wallace, 50 Years and Counting: The Legendary Art and Genius of Arthur Hall
(2008, StarSpirit Press, Philadelphia)

Barbara C. Wallace, African Shamans and Ancient Shrines (2008, StarSpirit Press, Philadelphia)

Frank Willett, Ife in the History of West African Sculpture (1967, Thames and Hudson, London, NY)